Stories
The allegorical story taking place in a building where the floors map to the four parts of a day (night-morning-afternoon-evening).
The crime story where the character evolution maps to the thirteen Norse gods present when Balder was killed.
The dark adventure story where the character relationships map to the 'fifteen men on a dead man's chest' from the fictional sea chanty.
The dark story about talking animals where the characters map to the nine days Odin hung from an ash tree.
The dramatic story where the major buildings map to the twelve signs of the Chinese zodiac.
The epic story about communications officers where the characters map to the twenty-two paths of the Kabbalah.
The epic story where the characters' births map to creatures of Norse mythology.
The light-hearted story where the eras of history map to the six tastes in Indian Medicine (sweet-sour-salty-bitter-pungent-astringent).
The psychological story about angels where the characters map to the Seven deadly sins (lust-gluttony-greed-sloth-wrath-envy-pride).
The psychological story where the locations map to the Ten Sephiroth of the Kabbalah.
The romantic detective story where the main character moods map to angels.
The story about coroners where the major plot twists map to the five tastes (sweet-salty-sour-bitter-savory).
The story about dwarves where the characters' births map to the twelve apostles.
The story about princes where the chapters map to Cathloic Saints.
The story set in a world where the different professions map to the four suits of playing cards (hearts-diamonds-clubs-spades).
The story where the constellations map to the nine days Odin hung from an ash tree.
The story where the major 'plot devices' map to specific stars.
The story where the major 'plot devices' map to the twenty-four Norse Runes.
The story where the space colonies map to the twenty-seven books of the New Testament.
The swashbuckling story where the main character moods map to the five oceans of Earth (Arctic-Atlantic-Indian-Pacific-Southern).
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